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Selecting color spaces, resolutions, and frame rates -- ch. Generating alpha with keyers and mattes -- ch. English Pages xvi, pages [] Year This is tchniques only book on the market to focus exclusively on the creation of visual effects for After Effects users, and.

Covers CS4This cookbook contains recipe after recipe that allow you to edfects the full power of the native plug-in effe. Table of contents : Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Trying to learn Expression can prove to be a laborious journey for a regular user, not because it's a difficult lan.

Table of contents : Ch. Masking, rotoscoping, and basic keyframing -- ch. Transforming egfects motion tracking -- ch. Working studil the 3D environment -- ch. Creating particle simulations wffects ch. Adobe after effects cc visual effects and compositing studio techniques pdf free render passes -- ch. Color grading, color effects, and HDRI -- ch. Damage repair and distressing -- ch. Expressions, scripting, and project management.

Gain the tips, tricks, and applied knowledge you need to carry out essential visual effects tasks freee bring your digital compositing to the next level. In Compositing Visual Effects in After Effects, industry veteran Lee Lanier covers all the common After Effects techniques any serious visual effects artist needs to know, technisues the latest, compsoiting vetted studio practices and workflows with adove and multi-chapter projects and hands-on lessons.

Lee Lanier has worked in the motion picture industry sincehaving spent hundreds of hours on live-action sets and thousands of hours working with high-end animation and compositing software. In addition to having taught at the Anc of Art University and Gnomon School of Visual Effects, Lee has written seven books on visual effects and digital compositing, has recorded tutorials for lynda. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, techniqeus, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Cinematography—Special effects—Data processing.

Computer animation. Adobe After Effects. Every shot you are tasked to work with will undoubtedly contain new challenges. I have no intention to cover every After Effects effect, plug-in, parameter, option, and so on. In addition, each chapter includes a longer tutorial that steps you through more challenging compositing tasks.

You, the Reader Compositing Afterr Effects in After Effects is aimed at beginning compositors who have a basic working knowledge of After Effects who would like to expand their knowledge of visual effects compositing techniques. This book is also suitable for those professional compositors who wish to transition from other areas of compositing, such as motion graphics, to visual effects work. In addition, this book will prove useful for any digital artist wishing to transition from other compositing programs, such as The Foundry Nuke.

Basic interface information is also included at the end of this introduction amd help a new user get up to speed quickly. In addition, the files were tested with beta copies of After Effects CC A few files are saved in the CC and the CC formats as they require more recent effects. The non-bundled plug-ins discussed in this book are not mandatory for successful learning; however, they на этой странице useful and are available for trial download from their respective software websites listed in each chapter.

Nevertheless, this has little impact on the program as the menu options and basic workflow are unaffected. Any exceptions to this rule are noted in the book. The criteria is carefully spelled out at the following web page: helpx.

Cinema 4D rendered image sequences, camera files, static artwork, and matte paintings. The reader may use these image sequences for educational purposes but may not redistribute the sequences in any fashion.

Commercial use of the sequences is not granted. A few additional movies and sequences are used under a Creative Commons Public Domain Composiying and were sourced from the Prelinger Archive at www. Additional information on Prelinger material is included with each chapter. In general, After Effects is very robust when it comes to locating required project files. Compositiing Conventions Compositing Visual Effects in After Effects uses common conventions when describing mouse operation.

Windows 10 reset from boot laptop free download For updates associated with this book, please visit www. Contacting the Author Feedback is always welcome. You can contact me at [email protected] or find me on popular social media networks. As mentioned earlier in this introduction, color changes between CC and CC do not affect the component naming or basic functionality. Each panel is indicated with a named tab at the top left of the panel.

C: Timeline frame, with the layer нажмите для деталей on the left and timeline on the right. You can Effectts the time indicator time slider back and forth. Note that many terms were originally developed to describe techniques applied to motion picture film.

Adobe after effects cc visual effects and compositing studio techniques pdf free does not refer to documentary or news-gathering footage of visula events, nor does it include animation. You can also use this term to refer to digital video. Shot: A single camera set-up of a multi-shot scene. For example, a shot may be a close-up of an actress or a wide-angle of a street. With film or video, a scene is a series of shots captured at one location that represents a particular period of time.

Plate: A shot intended for visual effects work. For example, a plate may be windows disk usage microsoft free shot of a city street that requires the addition of an explosion or an animated robot. A plate may be static or may contain movement. Plates often effects green screen and may studjo shot at an extra-high resolution such as 70mm with motion fres film or 4K with digital video. The color space you choose determines the number of potential colors you can work with and the overall accuracy of effect applications and /26741.txt. By the afte token, each composition you create shares two basic qualities: resolution and frame rate.

Due to the wide variety of rfee resolutions and frame rates, decisions must be made to select adobe after effects cc visual effects and compositing studio techniques pdf free resolutions and rates for the project.

Comppsiting complicate matters, the footage you import may carry multiple frame rates. Choosing Bit-Depths and Color Spaces A fdee determines the number of colors available to a single channel of a pixel. A channel, within a digital image, carries the values of a single component of a color model.

A color model is a mathematical description of a color through specialized sets of numbers. Digital art, animation, and video use the RGB color model, where red, green, and blue channels are added to produce composjting image techniwues a monitor Figure 1. RGB is additive, whereby equal amounts of red, green, and blue produce white. The absence источник статьи these colors produces black.

Color space represents all the colors a device can produce using a specific color model. Each channel stores intensity values for its associated color, hence each channel appears as grayscale. The menu is surrounded by a red box in this figure. In addition, the program offers three specific bit-depths in which you can work. That is, all the calculations within the project are carried out at the bit-depth accuracy that you choose.

The three bit-depths are 8-bit, bit, and bit. The number in each bit-depth signifies the number of potential colors also referred to as tonal steps available to each of the RGB channels. For example, 8-bit carries 28 colors per channel. To find the total color capacity of a bit-depth, multiply the channels together. Note that the bit setting uses a floating-point architecture, which is frew in the next section.

The higher the bit-depth, the greater the mathematical accuracy, but the longer the render times. Aggressive effects, such as heavy blurs, require a high bit-depth to avoid color banding also known as posterization.

Color banding appears as abrupt changes in a fefects gradient that should otherwise appear smooth. For example, color banding is sometimes visible in a clear sky. If you are using effects to drastically alter an image, use a or bit depth.

Test your compositions at different depths. You can change the Depth menu at any time. If a lower bit-depth is adobe after effects cc visual effects and compositing studio techniques pdf free to produce an acceptable quality, consider working at that depth. Note that adobe after effects cc visual effects and compositing studio techniques pdf free computer monitors operate at compositinh 8-bit depth.

Thus, higher bit-depth quality is not necessarily visible on your monitor.